The Villaragut House
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UNESCO-listed Medieval City of Rhodes · Collachium

The Villaragut House

UNESCO World Heritage emblem

A Hospitaller conventual building at the corner of the Street of the Knights and Lachitos Street — probably, in significant part, the Order’s almonry (poorhouse) — reconstructed in 1489 under the patronage of Diomède de Villaragut, Drapier of the Tongue of Castile. Converted to an Ottoman-period mansion after 1522 and, from 1929 to 1944, the Rhodes Ethnographic Museum; its ground floor now serves as ancillary storage for the Archaeological Service.

Coat of arms of the Order of St John (Hospitaller cross)

A poorhouse beside a hospital, a mansion beside a ruin — the Villaragut House has worn four centuries of Rhodes’s history on a single, modest footprint. “Firma fe” — my faith is steadfast (the motto carved beside the building’s own coat of arms, 1489)

Exceptional High Moderate Qualified
00
Identity

Site & dates

Storage & ruin › Collachium, corner of Ippoton & Lachitos Streets

Stands in the Collachio, immediately west of the Great Hospital of the Knights, at the junction of Ippoton Street (the Street of the Knights) and Lachitos Street — occupying, with the Hospital, opposite halves of a single city block, the two separated in the Hospitaller period only by a shared garden.

c.1421 – 1437
Earliest identified building phase, visible in elements of the north (Ippoton Street) façade, attributed to the mastership of Grand Master Antonio (Antoni) Fluvià.
1489
Major reconstruction and expansion sponsored by Diomède de Villaragut, Drapier of the Tongue of Castile, part of the town-wide rebuilding after the Ottoman siege of 1480 and the earthquake of 1481 — the same year the neighbouring Great Hospital was formally completed.
1522 – 1912
Converted to Ottoman-period private residential use after the Order’s surrender of Rhodes; the east wing’s upper floor remodelled in the Balkan/Anatolian arkontiko style, with a projecting timber gallery, carved ceilings and a private bath.
1912 – today
Restored under Italian administration; east wing’s upper floor opened, August 1929, as the Rhodes Ethnographic Museum; west wing’s upper floor rebuilt in reinforced concrete, 1940; north façade partly destroyed by wartime bombardment in 1944 and restored 1946–47; the Museum has since closed and its galleries survive only as a ruin, the ground floor now Archaeological Service storage.
01
Mission

The Order’s almonry

Welfare provision › the almonry, the Drapier, the Hospital

A tall arched wrought-iron gate with ornate scrollwork and a raised cross worked into its centre, set into an ashlar stone archway — the Great Hospital's side door onto the Street of the Knights
The Great Hospital’s side door onto the Street of the Knights, behind which — along the street’s continuation — stands the House of the Knight Villaragut.

Nowhere named outright in the Order’s surviving records, the Villaragut House’s function is nonetheless identifiable, on converging documentary and archaeological evidence, as the Hospitallers’ almonry — the poorhouse that complemented the neighbouring Hospital’s medical care with a daily charitable dole.

The thirteenth-century statute
The Order’s own rule required the almonry to distribute bread, wine and food daily to some thirty poor persons — five fed within the convent itself — and clothing to thirteen poor persons each Lenten Saturday, under the same broad umbrella of institutional welfare as the Hospital’s own nursing care.
The Drapier’s office
Diomède de Villaragut, the building’s documented 1489 patron, held the office of Drapier of the Tongue of Castile — responsible for the Order’s cloth supply (the parmenterie) and, plausibly, for the almonry’s operation as well.
The 2002 latrine
Excavation in January 2002 uncovered a purpose-built, five-seat latrine over a deep barrel-vaulted cesspit at the building’s south-east corner — a scale of sanitary provision consistent with institutional rather than purely domestic use.
The identification is the best-supported explanation, not a certainty: the authors of the building’s own 1992 study are explicit that its precise function, on the surviving evidence, remains an open question.
02
Fabric

What survives

Features › courtyard, heraldry, the Catalan doorway

A modest, Π-shaped Hospitaller conventual building — two wings around a shared courtyard, closed on the south by a ruined hall — whose courtyard-and-portico plan is matched, among the Hospitaller period’s public buildings in Rhodes, only by the Great Hospital itself, at smaller scale.

A black-and-white archival photograph of a carved stone heraldic panel showing three shields with a cross motif, flanking a worn inscription reading FIRMA FE and the date 1489
The triple heraldic panel on the Lachitos Street façade: the Order of St John (left), Diomède de Villaragut (centre) and Grand Master Pierre d’Aubusson (right), with the motto “Firma fe” and the date 1489.
The courtyard and its wings
The courtyard & porticoes
A large square courtyard, enclosed on at least three sides — east, south and west — by a two-storey arcaded portico, substantial masonry traces of which survive on all three.
The east wing
Retains an open ground-floor arcade onto the courtyard; its upper floor, remodelled under Ottoman rule with a projecting timber gallery, later housed the Rhodes Ethnographic Museum (1929–1944) and now survives only as a roofless ruin.
The west wing
An elongated, barrel-vaulted ground-floor hall entered from Ippoton Street through a low Hospitaller-period doorway; its upper floor was rebuilt entirely in reinforced concrete during the Italian restoration of 1940.
Heraldry & the Catalan doorway
The 1489 heraldic panel
The building’s principal decorative and evidentiary feature: a triple coat of arms with the motto “Firma fe,” recording both the year and the patron of its principal surviving building phase.
The Catalan doorway
A semicircular, radiating-voussoir doorway on Ippoton Street, one of only a handful of such Catalan-style survivals in the medieval town — physical testimony to the building’s earliest association with the Tongue of Castile.
Two masonry phases
Ashlar courses of about 0.45 m (pre-1480) and about 0.22 m (the 1489 reconstruction, reusing large dressed stones) remain distinguishable along much of the Ippoton Street façade.
03
History

Persons & events

c.1421–present › four centuries, four cultures

From a pre-Hospitaller mansion of uncertain ownership, through Hospitaller almonry and Ottoman mansion, to Italian-period museum and modern storehouse — few buildings in Rhodes preserve so many distinct, legible layers of use within a single plan.

“Perina’s” mansion, before 1480
A tantalising single reference records a pre-existing two-storey mansion with garden on part of the site, granted in 1439 to the Order’s notary as a temporary residence — hypothesised as the origin of the west wing’s earliest phase.
Diomède de Villaragut, 1489
Drapier of the Tongue of Castile, attested in the Order’s records 1471–1504; sponsors the building’s principal reconstruction, bearing his arms, in the same year the neighbouring Great Hospital was completed.
Ottoman conversion, 1522–1912
Converted to private residential use after the Order’s surrender; the east wing remodelled in the Balkan/Anatolian arkontiko typology, with carved ceilings, a lattice gallery cupboard and a private hamam.
The Ethnographic Museum, 1929
Opened by the Italian administration in the restored east wing, documented by H. Balducci’s 1932 study; the west wing’s upper floor rebuilt in reinforced concrete in 1940.
War & restoration, 1944–47
Wartime bombardment partly destroys the north façade; the Greek Archaeological Service restores it, 1946–47, as closely as the surviving evidence allows.
Modern scholarship, 1988–2017
Manousou-Ntella and Dellas’s 1992 study remains the building’s fundamental architectural history; Kasdagli’s 2017 study of the 2002 latrine excavation substantially strengthens the almonry identification.
04
Testimony

Eye witness: a career in the Order’s own records

1471–1504 › Diomède de Villaragut in the archives

Carved in stone, 1489

The building’s own testimony to its reconstruction survives in its masonry rather than in an archive: a triple coat of arms — the Order’s, Pierre d’Aubusson’s, and Diomède de Villaragut’s — carved above the motto “Firma fe” and the date 1489, publicly naming both patron and year in a period of severe external threat and reconstruction.

The 1489 heraldic panel, Lachitos Street façade; read and published by Manousou-Ntella & Dellas, 1992.
A thirty-year career

Diomède de Villaragut appears in the Order’s own records across more than three decades: as “purveyor” of the Grand Master in 1471, as commander of Aliaga during the siege of 1480, as Drapier of the Tongue of Castile by 1489, and as Castellan of Amposta — the senior title of the Tongue of Aragon — in 1497 and 1504.

As reconstructed from the Order’s archives by the seventeenth-century Hospitaller historian Giacomo Bosio, and summarised in the building’s 1992 architectural-historical study.
What the evidence cannot settle

The surviving coat of arms identifies the building, beyond doubt, as an official building of the Order — but, on the explicit, candid assessment of its own principal modern scholars, not its precise use. The almonry identification remains the best-supported explanation advanced since 1992, strengthened by the 2002 excavation, rather than a documented certainty.

Manousou-Ntella & Dellas, 1992; Kasdagli, 2017.
05
Narrative

The Night the Sky Fell

Heritage narrative › the Knight remembers, from 1944 back to 1489

Sirens

The sirens had stopped, and that was the worst part. I stood in the courtyard of the house that bears my name, more than four hundred years after the last record of my name, and I felt the ground tremble. Then came a roar, and a bomb struck the north side of the house. The great wall that faces the Street of the Knights — a wall that had stood through earthquakes and empires — came crashing down into the street. The old Gothic window, carefully restored in the twentieth century, shattered with it. Dust rolled through the courtyard. In the long silence that followed, I thought something I had not thought in four centuries: Is this how it ends? Everything I had built, everything the house had survived, a pile of rubble in the dark?

A dramatisation of the documented 1944 bombardment, which brought down a significant part of the north façade together with its restored Gothic window (see History, 03). The Knight as a witness on the night is this project’s invented narrative device.
A ghost, perhaps

I will be honest with you: I am no longer quite sure who I am. A ghost, perhaps. Or perhaps only a name, carved so deeply into a wall that it has been remembered stubbornly enough to start talking. Whatever I am, I was there on the night in 1944 when the bombs fell on Rhodes. I was not a famous Knight. You will not find me in stories about great battles. I was something quieter and, I like to think, just as useful: a trusted officer, the sort of man the Grand Master relies on to make sure things get done. In 1471 I was responsible for the supplies where they were needed. For 30 years I hold this post. But I will tell you more later.

The ghost-narrator is an invented device. Diomède’s documented career, 1471–1504, is set out in Testimony (04); “this post” here compresses the several successive offices recorded there (purveyor, commander of Aliaga, Drapier, Castellan of Amposta).
Rhodes held

In the summer of 1480, a vast Ottoman army arrived by sea and surrounded Rhodes. For months, cannon fire thundered against the walls. I was given command of a company called Aliaga, and we fought to hold the city. Rhodes held. The people celebrated. But they had barely caught their breath when, in 1481, an earthquake shook the island and brought down more buildings than the cannons ever had. Grand Master Pierre d’Aubusson looked at his ruined town and made a decision: Rhodes would be rebuilt, every street of it. And I, by then an officer with real responsibilities, decided to help rebuild a building of my own.

The 1480 siege, the 1481 earthquake, d’Aubusson’s rebuilding and Diomède’s command of Aliaga are documented (History, 03; Testimony, 04). His “decision” to rebuild is a narrative paraphrase of his documented patronage of the 1489 reconstruction.
The Ground Beneath My Feet

I did not build on empty ground, though I did not know it then. Far below my feet, long before any Knight set foot on Rhodes, a grand colonnaded street had run past a great Roman monument with four gateways. Its paving stones and its drain lay buried under the soil. Nobody in my day knew they were there. Archaeologists would find them centuries after I was gone, under the west wing. There had been a house on the plot before mine, too. The records call its owner only Perina, and tell us almost nothing else: two floors, a garden. When the Order began building its enormous new Hospital next door, Perina’s house stood in the way and was in danger of falling down. In June 1439, the Order gave it to its notary, a man called Elisseo Delamana, to live in with his family, partly just to keep the roof up. Scholars today think Perina’s house may have been the first version of the building I would later rebuild. If they are right, then even before my time, that plot had a way of refusing to fall.

The “Perina” mansion and the 1439 grant to the Order’s notary appear in History (03); the notary’s name (Elisseo Delamana), the Roman colonnaded street and its drain are drawn from the source Statement of Significance (v02, “Antecedents: the Roman and Byzantine Site”) and are not otherwise covered on this page. Identifying Perina’s mansion with the house’s earliest phase is a scholarly hypothesis (Manousou-Ntella & Dellas, 1992), not a documented fact.
Revelations

By 1489 the work was done. The walls stood taller and stronger than before. And on the wall above Lachitos Street, the masons carved three coats of arms side by side. On the left, the shield of the Knights of Saint John. On the right, the shield of Grand Master d’Aubusson. And in the middle, my own shield, with the year, 1489, and two Latin words — FIRMA FE. They mean: my faith is steadfast. It was a promise, carved where everyone could read it. I will not waver, whatever comes. I did not know, as I watched the masons work, how many things that promise would be tested against.

I was Drapier of my Tongue, the officer in charge of supplying cloth and clothing to the Order and its Hospital. And the Order’s own rules described an almonry, a poorhouse, that gave bread, wine and food every day to some thirty poor people, and clothes to thirteen poor people every Saturday in Lent. My house had a courtyard and two-storey arcades just like the great Hospital next door. A narrow passage even led from its rooms toward the Hospital. Most scholars believe the house was part of the Order’s almonry, working alongside the Hospital: the Hospital healed the sick, and the house helped feed and clothe the poor. I would be proud of that, if it is true.

And here is the clue that made archaeologists sit up in the year 2002. At the south-east corner of the east wing, they uncovered a long, narrow room built over a deep stone pit: a medieval latrine. But this one had five seats in a row, so that several people could use it at the same time. A single family does not need that. A busy institution full of people does. Funny as it is, the most important clue about my existence turned out to be a toilet!

The 1489 triple coat of arms and motto are documented (Testimony, 04). The almonry identification is, as stated throughout this page, the best-supported explanation but not a documented certainty; the five-seat latrine was excavated in January 2002 (Kasdagli, 2017). The Knight’s thoughts and feelings are narrative device.
06
Gallery

Photo gallery

Twelve views › the shared courtyard and garden, the neighbouring Hospital, and the Hospitaller and Ottoman-period interiors

07
Assessment

Significance criteria

Nine-criteria framework › National to International importance

Rarity
The only other public building of the Hospitaller period in Rhodes to share the Great Hospital’s courtyard-and-portico plan; one of a handful preserving genuine Catalan-style doorway construction, and the only known example of a purpose-built, multi-seat Hospitaller latrine.
High
Representativeness
Broadly representative of the Order’s fifteenth-century almonry provision and Tongue-specific patronage of conventual building, and, in its later phases, of Ottoman-period domestic arkontiko architecture and Italian-period museum conversion.
High
Aesthetic value
The 1489 heraldic panel and Catalan doorway are its principal assets; its overall massing is heavy and unarticulated, and does not aspire to stylistic unity across its several building phases.
Moderate–High
Integrity
Heavily qualified: the west wing’s upper floor is a 1940 concrete rebuild, the north façade was restored after 1944 bomb damage, and the former Ethnographic Museum’s galleries survive only as an open ruin.
Low–Moderate
Historical value
A physically and documentarily attested extension of the Order’s welfare provision, associated with a well-documented patron whose career illuminates the Order’s internal administration, across four successive cultural periods.
Exceptional
Symbolic & social value
The probable seat of the Order’s charitable almonry, complementing the Hospital’s medical care; its heraldic panel a deliberate, legible statement of institutional authority during a period of severe external threat.
High
Scientific value
Considerable, only partly realised research potential: the ground floor’s original extent, the means of vertical circulation, and the full form of the south hall remain open questions further excavation could resolve.
High
Interpretive potential
Limited at present by its ruinous, publicly inaccessible condition, but offering considerable scope for combined interpretation with the neighbouring Hospital (Archaeological Museum) as a single administrative complex.
Moderate
Importance level
A rare, well-documented component of the Order’s welfare architecture and a contributing structure within the UNESCO-inscribed Medieval City of Rhodes, standing immediately beside one of its three individually named monuments.
National–International

Statement of significance

“Firma fe.” (“My faith is steadfast” — the motto carved beside the building’s 1489 coat of arms.)

The Villaragut House is of outstanding historical significance as a physically and documentarily attested extension of the Hospitaller Order’s welfare provision, standing immediately beside, and probably administered jointly with, the Order’s Great Hospital in the heart of the Collachio. Its earliest identified phase belongs to the mastership of Grand Master Antonio Fluvià (1421–1437); its principal surviving fabric records a 1489 reconstruction sponsored by Diomède de Villaragut, Drapier of the Tongue of Castile, as part of the town-wide rebuilding directed by Grand Master Pierre d’Aubusson after the siege of 1480 and the earthquake of 1481 — the same year the neighbouring Hospital was formally completed. The convergence of documentary, architectural and archaeological evidence — the Drapier’s own responsibility for the almonry, the courtyard-and-portico plan shared uniquely with the Hospital, and the purpose-built, multi-seat latrine excavated in 2002 — makes the building’s identification as the Order’s almonry the best-supported, if not wholly certain, explanation for its function. Following the Order’s departure in 1522, the building passed through private Ottoman-period residence, Italian-period restoration and museum use (the Rhodes Ethnographic Museum, 1929–1944), and wartime damage and repair, before settling into its present role as Archaeological Service storage, its east wing’s upper floor surviving only as a ruin. Taken together, the Villaragut House merits an Importance Level of National to International significance: a rare, well-documented and still only partly understood component of the Order’s welfare architecture, and a contributing structure within the UNESCO-inscribed Medieval City of Rhodes, standing immediately beside one of that property’s three individually named monuments.

National

ΥΑ 23084/737/25-8-1948 — ΦΕΚ 10/23-9-1948, protecting the monuments of the Medieval Town of Rhodes under Greek antiquities legislation; no asset-specific ministerial decision distinct from this general listing has been identified.

UNESCO

Medieval City of Rhodes (ref. 493), inscribed 1988, criteria (ii) and (iv) — a contributing structure, not one of the property’s three individually named component monuments.

References

  1. Balducci, H. L’architettura turca in Rodi. Pavia, 1932.
  2. Bosio, Giacomo. Dell’Istoria della Sacra Religione, et Illustrissima Militia di San Giovanni Gierosolimitano, vol. 2. Rome, 1629.
  3. Delaville Le Roulx, J. M. A. Les Hospitaliers en Terre Sainte et à Chypre (1100–1310), Book III: Grands-Officiers. Paris.
  4. Gabriel, A. La cité de Rhodes, MCCCX–MDXXII: Architecture civile et religieuse. Paris, 1923.
  5. Hellenic Government Gazette (ΦΕΚ). Ministerial Decision 23084/737 (25 August 1948) — ΦΕΚ 10/23-9-1948, protection of the monuments of the Medieval Town of Rhodes.
  6. ICOMOS. ICOMOS Charter for the Interpretation and Presentation of Cultural Heritage Sites. Paris: ICOMOS, 2008.
  7. ICOMOS Australia. The Burra Charter: The Australia ICOMOS Charter for Places of Cultural Significance. Burwood: ICOMOS Australia, 2013.
  8. Kasdagli, Anna-Maria. «Εγκαταστάσεις υγιεινής στη μεσαιωνική πόλη της Ρόδου» [“Sanitary Installations in the Medieval Town of Rhodes”]. ΔΧΑΕ ΛΗ′ (2017): 147–164.
  9. Kasdagli, Anna-Maria, and Katerina Manousou-Ntella. «Η περίθαλψη στην Ιπποτική Ρόδο (1309–1522)» [“Healthcare and Welfare in Hospitaller Rhodes (1309–1522)”]. In Στέφανος [Stephanos, tribute volume].
  10. Kollias, Elias. The Knights of Rhodes: The Palace and the City. Athens, 1994.
  11. Kontis, J. D. «La restauration des monuments historiques de Rhodes.» Messager d’Athènes 10 (11 February 1952).
  12. Luttrell, A. The Town of Rhodes: 1306–1356. Rhodes: Municipality of Rhodes, 2003.
  13. Manousou-Ntella, Katerina, and Giorgos Ntellas. «Το κτίριο Villaragut στη μεσαιωνική πόλη της Ρόδου» [“The Villaragut Building in the Medieval Town of Rhodes,” with English summary]. In Ιστορία και προβλήματα συντήρησης της μεσαιωνικής πόλης της Ρόδου, Πρακτικά, 123–148. Athens, 1992.
  14. Riley-Smith, J. The Knights of St John in Jerusalem and Cyprus, 1050–1310. London, 1967.
  15. Sarnowsky, J. Macht und Herrschaft im Johanniterorden des 15. Jahrhunderts. Münster–Hamburg–London, 2001.
  16. Sire, H. J. A. The Knights of Malta. New Haven, 1996.
  17. UNESCO World Heritage Centre. “Medieval City of Rhodes.” World Heritage List, ref. 493.
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